Getting your first tattoo is exciting and a little nerve-wracking. The good news: a bit of preparation makes the whole experience smoother, and we'll guide you through every step on the day.
The night before
Get a proper night's sleep. Being well-rested makes a real difference to how comfortable you feel in the chair. Avoid alcohol for at least 24 hours before, as it thins your blood and can make the process messier.
The day of
Eat a proper meal before you arrive. Getting tattooed on an empty stomach can leave you feeling lightheaded. Stay hydrated through the day. These two simple things genuinely affect how you handle the session.
Moisturise the area beforehand
In the days leading up to your appointment, keep the skin where you're getting tattooed moisturised and healthy. Well-conditioned skin takes ink better and tends to heal more smoothly. Skip it on the actual day of the session, but in the run-up, it helps.
What to wear
Wear comfortable, loose clothing that gives easy access to the area being tattooed. Arm piece? A sleeveless or loose top. Leg or thigh? Shorts work best. Don't wear anything you'd be upset to get a small ink mark on.
Come with a clear idea, not a fixed script
Bring references, themes or a rough concept. But stay open. Part of the value of a custom studio is the artist shaping your idea into something that works better on your body than you imagined. The best first tattoos come from a real conversation.
Ask questions
A good artist wants you to feel comfortable. Ask about the process, the hygiene, the aftercare, anything on your mind. There's no such thing as a silly question when it's permanent.
On the pain
Most first-timers are surprised by how manageable it is. It's more discomfort than sharp pain, and it comes and goes. Stay relaxed, breathe normally, and focus on the result. You'll walk out wondering why you were nervous.
A first tattoo should be remembered for the right reasons. Prepare well, trust your artist, and enjoy it. It's the start of something you'll carry for life. See the studio's work in the portfolio →